But I was still anxious to read Sara’s published writing, but who knew about the wealth of these materials at the Internet Archive? Her book, Maximilian in Mexico: A Women’s Reminiscences of the French Intervention, 1862-1867, is in multiple copies. Also her monograph, On Certain Symbols Used in the Decoration of Some Potsherds from Daphnae and Naukratis Now in the Museum of the University of Pennsylvania and various papers Stevenson delivered to the Oriental Club of Philadelphia, such as “The Feather and the Wing in Early Mythology,” and “Early Forms of Religious Symbolism, the Stone Axe and Flying Sun Disc.”
Fortunately, also in the Internet of the Bulletin of the Pennsylvania Museum from the early days of the twentieth century. (The Pennsylvania Museum became the Philadelphia Museum of Art, and its School of Industrial Art became Philadelphia’s University of the Arts.) Sara served as a curator at the Philadelphia Museum, and also as the acting phone number database director. In the April 1908 edition of the Bulletin, the following appears:
“It is proposed to establish at the School of Industrial Art of the Pennsylvania Museum…a course in the training of curators for art, archaeological and industrial museums, under the supervision of Mrs. Cornelius Stevenson, ScD.”
Bulletin of the Pennsylvania Museum, Number 22, April 1908.
Museums were being founded throughout the country, and there was a need for trained curators. The next issue of the Bulletin details the twelve lectures in Stevenson’s course. She begins with The History of Museums, followed by the Modern Museum. She covers the Museum Building, with attention to light, heat, water, workshops, repair shops and store rooms.